Tapestry in the Renaissance: Art and Magnificence

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Tapestry in the Renaissance: Art and Magnificence Overview

Tapestries - the art form of kings - were a principal element in the ostentatious magnificence used by powerful Renaissance rulers to broadcast their wealth and might. During the period between 1460 and 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this illustrated volume, contributors analyze some of these tapestries; examine the stylistic and technical development of tapestry production in the Low Countries, France and Italy during the Renaissance; and discuss the contribution that the medium made to the art, liturgy and propaganda of the day. The survey presents 45 surviving tapestries along with some 20 preparatory drawings and cartoon fragments. Featured are examples designed by Italian masters Raphael, Giulio Romano and Perino del Vaga. In addition, works by Netherlandish designers such as Bernaert van Orley and his followers are included, demonstrating how elements of the northern design tradition were fused with Italianate innovations, resulting in an extraordinarily rich aesthetic, ideally suited to the medium.

Tapestry in the Renaissance: Art and Magnificence Specifications

Often slighted by art historians, tapestries were actually the most widely commissioned figurative art form in Europe in the 1500s. In Tapestry in the Renaissance: Art and Magnificence, Thomas P. Campbell and other scholarly contributors survey the elaborate woven hangings produced primarily by Flemish workshops for the palaces and cathedrals of Italy and Northern Europe. The authors discuss the designers' careers, patrons' motives, symbolic meanings of the imagery, and stylistic features unique to the labor-intensive medium. Initially, the need to lessen skilled weavers' workloads led designers to arrange elaborately costumed figures in manageable rows. Raphael's cartoons (full-size drawings) for the monumental "Acts of the Apostles" tapestries, commissioned by Pope Leo X, moved the art form into a new era. Flemish designers incorporated Raphael's spatially persuasive treatment of the figure into sophisticated narratives full of anecdotal detail. The 250 color photographs, specially commissioned for this catalog for an exhibit at the Metropolitan Museum in spring 2002, vividly illuminate the technical brilliance of these works. --Cathy Curtis